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The
Multiple Faces of A Goddess
Erzulie
(Ezili)
Representing love, beauty, purity, the ideal female, and the moon,
Erzulie is the most beloved of the loa and the wife of Ogoun, Legba,
and Agoué. She can influence romance and marriage, good fortune,
and artistic creation. Her symbol is the heart, her colors are pink
and blue, and she is also represented by a model boat hanging from
the ceiling of the peristyle. Her Catholic equivalent is the Virgin
Mary. As offerings, she is given desserts, sweet drinks, champagne,
perfumes, flowers, candles, and white doves. Devotees possessed
by Erzulie wear feminine clothes, dance, and flirt conquettishly,
but this behavior is always
followed by weeping for lost loves and unfulfilled dreams before
Erzulie leaves the material plane.
Erzulie
Dantor
The Petro aspect of Erzulie represents jealousy, vengeance, and
discord, and she is often cruel toward women's desires. Her symbol
is a heart pierced by a dagger, her colors are red and black, and
her sacrifice is a black pig. Possession by the Petro Erzulies is
marked by uncontrollable tantrums.
Erzulie
Fréda Dahomey
An aspect of Erzulie as a white woman who lives in luxurious surroundings.
Her
story in Depth
Ezili
Danto is a darkskinned, hardworking country woman who dresses in
blue, red, or multicolored fabrics. She has no husband, but is fiercely
devoted to Anais, her daughter. She is associated with black pigs;
black madonnas such as Mater Salvatoris; or other madonnas with
children, such as Our Lady of Mount Carmel. In these images, the
child in the Virgin's arms or on her lap is understood as a daughter.
The scratches on Danto's cheek are a reminder of her bitter rivalry
with Freda, her city cousin. A knife is encoded in her sacred sign
or cosmograph and that of her alter-ego, the angry Ezili 'Red Eyes.'
Danto likes the scent of Florida Water, drinks raw rum, savors fried
pork, and smokes unfiltered Camels.
Ezili
in Haiti derives from diverse African ethnic religious traditions,
the most of which are the Mami Water spirits found in various regions
along the western coast of the continent. But most striking are
the resemblances between the personage of Ezili in Haiti and those
of Oshun in Nigeria and Ezili in Whydah, Benin. In comparing the
personae of Oshun and Mary, one notes extraordinary similarities
both in the symbols employed and in the significance of those symbols.
These resemblances can be seen in the color blue and in the symbolic
significance of jewelry-necklaces, bracelets, earrings, and crown-for
both the Fon's Ezili and Yoruba's Oshun. The dagger, too, occurs
in the depiction of both Oshun and Mary, although its symbolic significance
differs. It is these similarities between the Catholic symbols connected
with Mary and those of Oshun and Ezili that have caused Vodouisants
to identify Mary with Ezili.
As with
many Vodou spirits, Ezili is not limited to a single representation,
but has numerous and varied manifestations. Some of these manifestations
can appear quite the opposite of others. Métraux lists nine
Ezilis all together, most of them are petro manifestations of minor
importance in the Vodou pantheon. Primarily, the cult of Ezili is
focused on just two of the lwas who bear her name: Ezili Freda-Dahomey,
or Maitresse Ezili, and Ezili Danto, or Ezili Ze Rouj (Red Eyes).
Ezili Freda "is a member of the rada pantheon. Most of these
gods are racine or root loa; i.e., most of them can be easily traced
to their African counterparts."
Freda,
being the spirit of love, of lovers, and "the goddess of the
sensuous", is one of the most popular lwas in Haitian Vodou.
She is characterized as a wealthy mulatto woman of radiant beauty,
superfluous flamboyance, and extravagant taste. Her devotees are
often under considerable economic and spiritual pressure to secure
and provide the gifts that Freda so taxingly demands: fine French
perfumes and wines, expensive jewelry, satin, and lace.
A person
who is possessed by Ezili has her (or his) body drenched in perfume,
covered with powder, draped in satin and lace. Maitresse Ezili is
as extravagant in passing out affection as she is in amassing finery.
At a Vodou ceremony, the goddess goes about the temple kissing,
greeting, touching, hugging, embracing, and generally reaching out
to everyone in sight.... So, affection, love, and approval are the
hungers inside Maitresse Erzulie and she searches endlessly for
gratification.
Insatiable
in her hunger for love and affection, Ezili's countless love affairs
with a host of spirits and mortals are among the most colorful tales
in Vodou mythology. The copiousness of her desire transcends the
chasm between the world of spirits and the world of humans, which
actually is a narrower rift in Vodou than in most religions. Many
Ezilian devotees, be they married, plasay (common law partners),
or single, male or female, enter into conjugal relationships with
Ezili. Often this involves a wedding ceremony between devotee and
spirit, complete with marriage contract and nuptial vows.
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